In her work she combines photography, painting and textile to monumental diptychs giving the impression of modern cave paintings. Naturally raw stone- and tree structures seem over-lifesized, with the transition of photography and painting often fluent.

However instead of a brush, trowel or spatula only her own body is being used for Eva’s paintings. She dips it in paint and leaves his female traces on the photographic background.

Opposing the organic forms however are distinctive letters on velvet ground. They form words, parts of sentences and entire phrases, sometimes whole texts – their message often as powerful as haunting. Inscribed into the gently glossy textile they almost resemble fading memories, while at the same time conveying a perfectly clear message.